In honoring “forgotten and underrepresented” Black, and Asian, and Latin filmmakers, the museum said less than might be expected about the specific contribution of Jewish filmmakers, performers and executives, including that of Rosen Leib’s great-grandfather Sol M. Our goal is to tell complex stories and to question film history-so much of which has been forgotten and underrepresented.” They play God, rearranging history to suit.īut here’s what Berger actually said: “Giving a comprehensive motion picture history is not possible. In other words, historians-or curators-take it upon themselves to “create a canon,” i.e., the laws, basic principles and recognized saints of the matter at hand. “Behind all the fallacies of the whig historian there lies the passionate desire to come to a judgement of values, to make history answer questions and decide issues and to give the historian the last word in a controversy,” wrote Butterfield. ![]() This used to be called “the whig interpretation of history,” and was discredited in a book of that title by Herbert Butterfield, read widely by college freshmen some decades ago. Pushed too far, it risks replacing truth with narrative, fact with convenient constructs, if not outright fiction. Such revisionism has always been a touchy business. Rather, it is an engine-and a big, shiny one at that-for shaping history to fit the needs of the present. As described by Berger, in fact, the museum isn’t really an archive of film history at all. Still, Berger’s answers to The Forward make clear that the museum will tell its stories with considerably less emphasis on Jewish legacy than was presented, for instance, in Neal Gabler’s much-read book, An Empire of Their Own: How the Jews Invented Hollywood. Referring to the Jewish artists and executives currently represented, the statement said: “These filmmakers are a vital part of our content, and their stories will continue to be told at the Academy Museum.” “The Academy Museum is deeply committed to presenting a holistic and diverse exploration of film history via rotating exhibitions, daily screenings, and public and educational programs,” said statement from a spokesperson n Monday. ![]() Moreover, the museum seems to promise something for almost everyone over time. Academy Will Now Let Films Bypass Inclusion Report By Opting Out Of Best Picture Race
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